September 20, 2018
Posted by Aline   /   Filed Under : Gallery, Interview, News

To play any brother, by blood or not, of John C. Reilly is an intimidating prospect given just how firmly entrenched Will Ferrell is as Reilly’s on-screen sibling.

“Step Brothers,” their 2008 comedy classic that took the adolescent adult to absurdist extremes, looms large. It did even for Joaquin Phoenix in deciding to play Reilly’s brother in “The Sisters Brothers,” Jacques Audiard’s Western. Phoenix considers “Step Brothers” one of his all-time favorites.

“I knew from that movie. It’s kind of unbelievable how brilliant he is in it,” Phoenix says of Reilly. “I know people think of it as a broad comedy, but there’s a lot of thought that went into that character.”


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The two films, “The Sisters Brothers” and “Step Brothers,” are worlds apart. But they are both centered on the subtle and combustible chemistry of brothers. And for Reilly, both Ferrell and Phoenix are two of the funniest people he’s ever met. “Both,” he says, “have made me pee my pants and fall down laughing.”

“The Sisters Brothers,” the first English-language film for the French filmmaker Audiard (“A Prophet,” ”Deheepan”), is based on Patrick deWitt’s novel of the same name. Phoenix plays the hotheaded and hard-drinking Charlie Sisters, younger brother to the more level-headed and uncertain Eli (Reilly). But they are both feared hired guns, who are dispatched by their boss, the Commodore, to track down a chemist (Riz Ahmed) with a radical idea for gold detection.

The movie, which Annapurna Pictures will open in limited release Friday, is largely a pair of two-handers – one between Phoenix and Reilly (together for the first time), the other between Ahmed and Jake Gyllenhaal (a reunion from “Nightcrawler”), who plays another pursuer who first locates the sought-after chemist. Both relationships throb with existential quandary and more immediate confrontations with change. Reilly’s Eli, for example, encounters a tooth brush for the first time.

Read more at dailymail.co.uk.
Photos: Chris Pizzello/Invision/AP.

September 17, 2018
Posted by Aline   /   Filed Under : Interview, News

Joaquin Phoenix was warned by producers that his latest movie would be “a real bummer”.

The 43-year-old actor stars as cartoonist John Callahan, who became a quadriplegic following an accident at the age of 21, in ‘Don’t Worry, He Won’t Get Far on Foot’, and Joaquin has admitted that Gus Van Sant had to convince producers that the movie was worth pursuing.

He said: “I remember we had a meeting early on with some producers and they were saying, ‘This just seems like it will be a real bummer, this movie’. And Gus goes, ‘Oh no, we were going to do it with Robin, it wasn’t going to be a bummer at all!’ And they said ‘Yeah, but that was Robin Williams, not Joaquin’. And I was there! In the room!”

Read more at The Reporter Online.

April 13, 2018
Posted by Aline   /   Filed Under : Interview, News

Source: EW

ENTERTAINMENT WEEKLY: I’m intrigued by actors who play roles like this, which are incredibly intense and emotional, and I wonder how much of that role gets into your head — how do you go home at night after scenes that are brutal? Is it easy to walk away after you’re done or do you live with the character for a while?
JOAQUIN PHOENIX: There’s no way to answer this without sounding like a f—ing jerk. I don’t know, I always hate, just, like [how] I was affected by this. Every movie, you just basically marinate in the research until it’s like impossible — if you read about one subject matter for weeks or months, of course it’s going to affect you. But I don’t … hopefully it’s not a conscious … I always feel like performances are bad when I see too many conscious decisions, like actors trying to show things, so I hope I didn’t do that, I tried not to show anything. But inevitably you’re going to be affected by this, it’s a brutal world but to be honest. There’s also times where you’re sitting around between takes and me and Lynne are just like telling each other jokes, so it just becomes your life and I think that was part of the thing — when does Joe find humor in things or what is his relationship with his colleagues? It’s like, everything is … you’re seeing a snippet of somebody’s life but they’re like a full human. There’s times that they sit around and watch a f—ing movie, they eat food, so it just becomes your life for a brief period of time.

I imagine you probably get asked a lot about whether you have a preference for dark, tormented characters who live on the edge and what draws you to them, but you’re also just a person who probably likes comedies as well as dramas. It’s trying to understand why you’re drawn to these types of characters.
Yeah, I don’t know, it’s funny because I look at the four movies that I’ve made this year or last year and I wouldn’t say that they were like all intense dramas, and so for me, it feels like the impact for a finished film feels particularly tense, but I didn’t … I don’t know why, to be honest. I didn’t really have the feeling of when I read this script that I have to do this movie. I feel like, it was something that grew and started presenting itself to me as I started researching it and spending time with Lynne. I don’t really know what drew me to the movie — I think maybe it was one of the first times where I was, I guess maybe I was kind of interested in working with Lynne. I think maybe what it is, it’s the not knowing that attracts me. It’s something that seems like so, a world that I don’t understand and it seems so distant from me, and maybe I want to find a way in — what is this puzzle, what can be solved, what can be figured out? I don’t know why, but I don’t sit back going “I want to do this” — I don’t know, I don’t understand why I want to do it.

(more…)

April 12, 2018
Posted by Aline   /   Filed Under : Interview, News

Source: Collider.

Collider: Franchise movies are bigger than ever. I would imagine that you have probably been offered many types of franchises and/or superhero roles. Does that interest you at all?

JOAQUIN PHOENIX: I guess it depends. It depends on the character, and the filmmaker, and what they’re after. I wouldn’t refuse anything just based on the genre. I think about superhero movies the way that I imagine Westerns were. There were just these comics that were like Westerns, and then they started making movies. At some point, someone came along and was like, “Wait a minute, we can actually really explore something here, about humanity and the character.” I think that there’s that potential with any movie. I have had meetings, and I’ve gotten close to a couple of things, because I’ve thought, “There’s something in that character that might be interesting,” but ultimately it didn’t work out.

There was a lot of talk about you doing Doctor Strange. There’s been talk about you and Joker. The advantage of the superhero movie is these are some of the few films that have such a large canvas to work with, in terms of the budget and the way you can build a world. They’re very, very popular, and some of them are awesome.

PHOENIX: I mean who cares about popular? Sometimes having a limited budget might be really good. Something about having to work really hard, and adapt to your budget, that maybe creates something interesting, right?

Totally.

PHOENIX: I think that’s probably … Isn’t that kind of what’ll happen? Sometimes a movie will work, and then they’ll do a sequel and they’ll have a bigger budget, and everyone kind of relaxes a little bit, and then it just gets progressively worse and worse?

(more…)

April 2, 2018
Posted by Aline   /   Filed Under : Interview, News

Recent reports have pegged Joaquin Phoenix to play the Joker in a new DC film directed by Todd Phillips and produced by Martin Scorsese that would sort of track the origins of the character and not be connected to the current DC cinematic universe. However, while Variety reported the actor was in negotiations for the part, Phoenix has remained cagey on whether or not he’s doing the movie. In a lengthy conversation in support of his new movie You Were Never Really Here, Fandango asked Phoenix point blank whether he was going to play the Joker, and, well, he’s still not talking.

“I don’t know… it could be an interesting character, I don’t know,” Phoenix said with a bit of a mischievous grin on his face. He didn’t deny the news like he has previously, but he also didn’t confirm either way whether he’d be playing DC’s Clown Prince.

If he did take on the role, it’d be one of the more high-profile films Joaquin Phoenix has ever done. And it’s not the first comic book movie to come calling either, with Phoenix’s name thrown around for everything from Marvel’s Doctor Strange to Batman v Superman: Dawn of Justice.

So does he have a comic book itch that needs scratching and he’s just waiting for the right project? According to Phoenix, he’s certainly up for a big, splashy superhero movie, but only if the conditions are exactly right.

“I see it as any other movie,” he said. “I wouldn’t say… “I won’t do Westerns.” It depends on what it is. I don’t really care about the genre, I care about the character and the filmmaker. If you have the ability to transcend the genre, then that’s what you want to do. So I wouldn’t say, hands down, no – I wouldn’t do that kind of movie. There are things where I’ve flirted with the possibility where there was the potential for this to be… something that’s actually interesting to me. But then for whatever reason they never got to that place where everyone else feels the same way. And that’s key. Everyone has to want to explore the same thing or else it just doesn’t f**king work. I’m not opposed to it. I don’t make decisions on budget or things like that – it’s really the filmmaker and the character.”

When we told Phoenix that he’d make a really good Joker and that he should do it, he sat back, smiled, rubbed his hands together and gave a look as if to say, well, we’ll see. Based on his overall response, though, it seems like this is only happening if everyone is on the same page with regards to how he’s going to portray the character — and like he said, he’s most interested if it means he has the chance to transcend the genre. With a character like the Joker, that’s certainly possible, but will it all come together in the way the actor would like it to? Clearly that’s still to be determined.

“You Were Never Really Here” hits theaters on April 6.

Source.

March 20, 2018
Posted by Aline   /   Filed Under : Interview, News

Joaquin Phoenix has explained his two-year hiatus from acting, saying he went through a period where he did not even want to read scripts.

The actor, 43, who has taken on the role of Jesus in new film Mary Magdalene, said when he first decided to return to work there were no projects that interested him, before he ended up working back-to-back on four films including the biblical story, and Lynne Ramsay’s new film You Were Never Really Here.

He said: “I’ve been super fortunate the last few years, I’ve worked with some amazing filmmakers and that’s always inspiring, but I didn’t work for two years before I worked on Lynne’s movie. Mostly when I work or don’t work it’s because there aren’t projects I want to work on. And there are times also when I just say, ‘I don’t want to read anything, and I’m just going to take six months’, and that’s what happened. I’d taken a year off, I just knew that I wasn’t going to work for a year, and then I was like, ‘OK, I’m ready to work’, and then there was nothing that I wanted to do for a year. And then it was really strange because it just went from nothing to these four movies that I couldn’t say no to. It just happened that way. I’d never done that much but I think working with the filmmakers and the actors was so inspiring, so that fuelled me.”

Phoenix said it was important to forget other people’s expectations of him when he was taking on the role of Jesus in Mary Magdalene.

He said: “When you first start, so many people have so many different expectations, and you imagine what the expectations are, but every film that I do, there’s a point where I just say, ‘Well this is mine now, and I have to find a way to internalise this and just to have this experience’.

“I can’t perform other people’s expectations. So I think that was part of it and discoveries that we made as we went along, and sometimes you just react to the environment and the other actors, and it makes you look at a scene differently.”

The film tells the story of the Crucifixion and Resurrection from the perspective of Magadalene, played by Rooney Mara, and dismisses the traditional view that she was a prostitute.

Phoenix said: “For a lot of people, faith is really important and I couldn’t help but think of young girls that are religious and have felt like their two examples of them in the Bible are either the virgin or the whore.

“And even if you’re not conscious of that, subconsciously it has to affect you and the way that you navigate the world and navigate your faith.

“And it seems like such a f**ked up thing to do to somebody.”

Mary Magdalene is out in UK cinemas now.

Source.

March 10, 2018
Posted by Aline   /   Filed Under : Interview, News

Photograph: Richard Saker for the Guardian / Source: The Guardian – Published on 8 Mar 2018.

The actor is back with another no-holds-barred performance in his new movie, You Were Never Really Here. He talks about his unorthodox childhood, playing Jesus – and the toll Hollywood’s ‘rampant’ abuse culture takes on everybody.

Joaquin Phoenix blows into London at the same time as the snow, like a competing weather front, talking up a blue streak. Outside, the flakes are flying and the temperature is below zero. Inside, he is preaching peace, love, tolerance and understanding – and it is all I can do to get a word in edgeways. My questions sit unread on my lap; the publicist hovers anxiously at the door. Who’s going to stop him? Who has the clout? When the man’s on a roll, it’s difficult to say: “Cut!”

“Just be in the moment,” Phoenix advises at one point. “Don’t overthink it, let it be what it is. If you keep trying to find what’s unique in the moment, then the danger is that you miss that very thing.” I think he’s talking about the craft of film acting. He may be talking about life.

Phoenix has been a turbulent screen presence for so many years that it is startling to realise that he is only 43. He has played dented Johnny Cash, the depraved emperor Commodus, an introverted lonely heart in Spike Jonze’s Her and a raging, rough beast in Paul Thomas Anderson’s The Master. Some great actors are deliberate and precise, but Phoenix is at his best when he seems on the outer edge of control; when he threatens to break loose from the picture and bring the scenery crashing about his ears. The man goes at things freestyle, for better or worse. He says: “The great thing about film is that you get to make mistakes.”

On his latest film, You Were Never Really Here, he has found a kindred spirit in the British film-maker Lynne Ramsay – another wild talent who sometimes courts disaster. Ramsay bashed out the script on spec, at speed, after bailing out of another movie (Jane Got a Gun) on the first day of production. She tells me she wrote the lead role with Phoenix expressly in mind. “Stuck his picture above the computer, as though I could telepathically put him in my film.” Sure enough, the actor materialised on set having never met her before. “He’s instinctual and unpredictable,” Ramsay says. “The range of stuff that he gave me … I could have made several other completely different films.”

As it is, her picture is roiling and delirious; a missing-person thriller spun violently on its head. Phoenix plays Joe, a traumatised former soldier on a mission to retrieve a trafficked teenager. He says he did some research – spoke to an ex-military guy who does similar work. Mainly, though, he followed his gut. “Lynne sent me an audio file of Fourth of July fireworks. She said: ‘That’s what’s happening inside Joe’s head.’ That’s one thing that really clicked for me.”

So forget about Joe; how about playing Jesus? In Mary Magdalene – a revisionist take on the gospels released later this month – Phoenix co-stars as the messiah alongside his girlfriend, Rooney Mara, who plays Mary Magdalene. Surely this was a role that required some rigorous research? There’s a lot of material to wade through about Jesus.

He shrugs, unconcerned. “Lots of material. Lots of conflicting material. But, in the end, it’s a character. And, as with all characters, whether it’s Johnny Cash or whoever, you have to make it about a man; about his personal experience. And for Jesus, what makes his death such a sacrifice is that he didn’t want to die. This was a man who wanted to continue the experience of living, just as we all do. So it was important to me to find those human qualities.”

(more…)

March 8, 2018
Posted by Aline   /   Filed Under : Interview, News

Illustration by ANA GODIS. / Source: lwlies.com – Published in March 7, 2018.

It’s a headfuck trying to reconcile Joaquin Phoenix with his character in You Were Never Really Here. The former is at pains to joke and pierce the idea that acting is a serious job. The latter, Joe, is just piercingly in pain. Like a bleeding warhorse with arrows protruding from his side, he lumbers on rescuing underage girls from New York brothels, killing those in his way with a whack from his weapon of choice: a hammer.

Phoenix was the only actor Ramsay wanted. She moved the production forward to fit his schedule. In return, she got a performance of trauma that seeps out of the frame and into the audience’s bones. Phoenix is so sought after partially because he loads quiet reactions into extremely physicalised characters. Joe is muscular but running to flab. He is powerful but slowed down by violent memories that won’t quit. Phoenix occupies this physique with searing pathos, and (to his surprise) he won the Best Actor prize at the Cannes Film Festival in 2017.

LWLies: This is a very brutal part. Does it take you time to get into it or is it something you can switch on?

Phoenix: I started working out two months before we started shooting. When you’re preparing for something, it’s all you think about. Like, right now I’m getting ready to do The Sisters Brothers [by Jacques Audiard]. I was just taking a walk along the water, and found myself saying lines out loud. But sometimes you show up and then you’re eating a fucking sandwich and bullshitting with the director, then you go and do the scene and at some point, if you’re lucky and if you’ve done the work, it’s easy to kind of slip into. Sometimes it’s not! Sometimes you get there and you do a couple of takes and you go, ‘Fuck, I couldn’t care less about this. I’m not feeling this.’ So I’d talk with Lynne, go through the story, skim through the script again, and think about, ‘Okay, what’s led to this moment?’ and hopefully you find it. But it’s not always there.

What drew you to Lynne Ramsay?

I was talking to Darius Khondji, a cinematographer who I’ve worked with a couple of times, trying to find what to do next. I said, ‘Who are the good directors that you like?’ He said ‘Lynne Ramsay’. Then, a couple of weeks later by chance, Jim Wilson, who’s the producer, who I’ve known for 20 years, he called me and said, ‘I’m doing this thing with Lynne, do you want to meet and talk to her about it?’

Do you know why you gravitate towards projects that are all-consuming?

I guess because it’s enjoyable, right, to work hard. I don’t even know if I work hard. This is bullshit. Maybe I don’t even like that. I don’t know what I like. I just say shit, man! I just say things. At its best every once in a while – and sometimes it’s one take for the entire movie and sometimes it never happens – there’s a fucking feeling that you get. I imagine you can get it in anything you do. If you play sports, or maybe if you’re writing something and trying to figure something out, and a sentence comes together fucking perfectly and you go, ‘Where did that come from? It just happened!’

It’s such an exciting feeling. You feel it all through your body. It’s so joyful. I’m always hunting for that feeling. I love that moment. It’s worth all the days when you search and nothing happens and you feel like, ‘I’m just fucking… this is terrible…’ You have that one moment where, I don’t know what it is, you’re just in your flow and that usually happens, when you work hard at something and you’re really dedicated to it. The times where I go, ‘Ah this is an easy scene, no big deal’ are always really dissatisfying and I regret it. So, I always look to work with people that are pushing themselves, and pushing me, because it’s more enjoyable, and you have a chance to touch that thing, whatever the fuck that is.

Read more at lwlies.com

February 26, 2018
Posted by Aline   /   Filed Under : Interview, News, Videos

Joaquin Phoenix is adding some mystery to the report that he’ll be starring as the Joker in Todd Phillips’ standalone movie for Warner Bros. Variety reported earlier this month that Phoenix was the top choice for the role and that he was in talks to star as the beloved comic book villain. However, Phoenix appears clueless about the report in a new video interview with French publication Allocine.

Source.

January 22, 2018
Posted by Aline   /   Filed Under : Interview, News

Joaquin Phoenix is opening up about his decision to work with Woody Allen, joining the chorus of actors who have recently distanced themselves from the filmmaker amid renewed allegations of abuse by his adopted daughter, Dylan Farrow.

Phoenix, 43, co-starred with Emma Stone in Allen’s critically panned crime drama Irrational Man, released in July 2015. The film was shot the previous summer in Newport, R.I. — months after The New York Times’ publication of Farrow’s open letter, when she accused Allen in writing of sexually assaulting her when she was 7. (The allegation, which the director has repeatedly denied, first surfaced in 1992.)

“When I worked with Woody, I knew about the stuff that had come up years ago,” Phoenix told USA TODAY during an interview Sunday evening at Sundance Film Festival. “I know his daughter ended up writing an open letter. I was not aware of that when we worked together.

“If you were a part of supporting something with someone that did, in fact, cause pain, how the (expletive) would you feel? You’d feel (expletive),” Phoenix continued. “I don’t know the specifics. I’m not a person who reads entertainment stuff at all — I avoid it completely, so a lot of times I’ll hear about things when I’m doing press and (journalists will) inform me about things. But if that is the case, then I’d feel (expletive).”

Phoenix, who stars in two films playing at Sundance this year (Don’t Worry, He Won’t Get Far on Foot and You Were Never Really Here), says he feels “optimistic” about the change instigated so far by #MeToo.

“There are things that we have considered normal forms of behavior, and that doesn’t mean it’s OK,” Phoenix told USA TODAY. “It’s an opportunity for everyone to start addressing that, so how could you not be excited about that prospect? And certainly, just selfishly in film, we’ve obviously run out of stories, because we have to keep remaking the same stories over and over. The idea that we are going to have — at least for most people — this new perspective? How that’s going to enrich film is amazing.”

The actor also dismisses suggestions by fellow actors including Liam Neeson and Matt Damon that there is a “witch hunt” around sexual misconduct allegations in Hollywood, or that there is a “spectrum” of sexual violence.

“Legally, there is a difference between when you call someone a racial epithet and punch them in the mouth,” Phoenix said. “But they come from the same place, so it is a problem. Whether it’s just a new language or a new action, it’s something that needs to be addressed.”

He believes many men are ignorant about the verbal and physical harassment women can face on a regular basis.

“Guys will go, ‘I didn’t really mean anything by it,’ but they don’t know that woman experiences (harassment) several times throughout the week, so it is compounded,” Phoenix said. “Sometimes for women, it becomes so normalized that they haven’t talked about it and how it makes them feel. They’re just like, ‘Ugh, it’s something you have to deal with.’ But now people are like, ‘No. Whether that was the normal form of behavior, that’s not how we’re going to move forward.’ And who wouldn’t be excited about that kind of change?

“It’s an exciting, radical time, but I know it’s been a very painful time, too, so I have to acknowledge that,” he added. “But I do think (the #MeToo movement is) changing things in a really amazing way.”

Source.